The 24-70 f/2.8 (I or II) is excellent as an indoor event lens. The extra stop is a big help indoors; and if, like many event photographers, you carry two cameras, it pairs very well (as Tim indicates) with the 70-200mm f/2.8. The 24-105, OTOH, is at its best as an outdoor "walking around" lens.
The Canon EF 24-70mm f/2.8L USM Lens tips the scales at 33.6 oz (950g) - about 50% more than it's closest Canon competitors, the Canon EF-S 17-55mm f/2.8 IS USM Lens and the Canon EF 24-105mm f/4.0L IS USM Lens. Of course, the 17-55 gains its advantage by not delivering a full frame 35mm image circle (being an "EF-S" lens) and by having a
John Riley has been putting the Canon RF 24-70mm f/2.8L IS USM lens to the test with the Canon EOS R3 mirrorless camera. Used Canon EF 24-70mm f/2.8 L II USM. Heavily Used £559.
If you're taking pictures of moving subjects with little light, the F2.8 will do better as it will give you shorter shutter times with the larger aperture. The F4 is a little harder to use as the zoom range is pretty compressed. I own both the 24-105 F/4 L IS and the 24-70mm f/2.8L II.
While some photographers may find the 24-70mm f/2.8 II lens to be a game-changer, others may not be as satisfied with its performance. However, based on my personal experience and extensive research, I can confidently say that the 24-70mm f/2.8 II lens is indeed an excellent investment for any professional or serious amateur photographer.
Canon Zoom Lens EF 24-70mm 1:2.8 L USM Ultrasonic w Canon Mount Adapter EF-EOS R. Opens in a new window or tab. Pre-Owned. C $1,005.12. swingcomputers (26,407) 98.1%.
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canon ef 24 70mm f 2.8 l is usm
